Petite Opera's ASSASSINS takes aim at the American Dream Nov 4-20

Somewhere in time, nine U.S. Presidential assassins and attempted assassins--each from a different point in history--cross boundaries of time and space to arrive at a carnival, managed by the Proprietor, the deux ex machina of their darker personaes.  The Proprietor sees their motivations, pulls the strings, manipulating them to commit the assassination they only contemplated before that point. Here, each assassin has the ability to influence the other.  Here, each assassin can tell his or her personal story.
Petite Opera presents this tour de force musical Nov 4-20:
https://www.facebook.com/events/676709165827275/


The collective consciousness of America is personified by The Balladeer, who tells the perspective of the nation... how each was viewed, how these individuals must have been insane to harbor such fantastical thoughts that assassination would somehow have the desired impact they sought.
Meanwhile, the assassins tell their stories.  To hear them explain it... the goal which each assassination was to accomplish would fulfill  their personal American dream: to make physical pain disappear, to gain relevance, to justify his/her own abilities, to further personal promotion or achieve some larger political gain. Each convinced themselves that only assassination of an American President could allow that to occur.

This tour de force musical looks how we define ourselves as individuals, as a nation, and the interpretation of the American Dream, even during his worst hours.
The Assassins try to regain their relevance through
Lee Harvey Oswald's assassination of John R. Kennedy
 
Petite Opera presents Assassins
Fridays November 4, 11, 18 at 7:30 PM
Saturdays, November 5, 12, 19 at 7:30 PM
Sundays, November 6, 13, 20 at 4:00 PM

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Tickets are $27 for Adults (ages 18-61)
$25 for Seniors (age 62 and up)
$15 for Students* (age 16 through College)
* not recommended for ages under 16 due to content and language

Call 847-553-4442 or email tickets@petiteopera.org to reserve your tickets for payment by cash or check at Box Office on performance date. For credit card orders, visit our PURCHASE TICKETS page.  Please note: reservations and Credit Card orders accepted up to 4 hours prior to show time.  A convenience fee is applied to all credit card orders at checkout.

LOCATION:
Mary Wilson House Beyer Auditorium
part of St. Mary's Episcopal church campus
306 S Prospect Avenue (at Crescent Ave)
Park Ridge, IL

Petite Opera Presents Stephen Sondheim's ASSASSINS Nov 4-20, 2016

Delve into the darker side of politics


November 4-20
Our nation's most notorious assassins gather on stage in Park Ridge to violently pursue a twisted American Dream. 


A multiple Tony Award-winning theatrical tour-de-force, Assassins combines Sondheim's signature blend of intelligently stunning lyrics and beautiful music with a panoramic story of our nation's culture of celebrity and the violent means some will use to obtain it. Embodied by four successful and five would-be American presidential assassins, this bold, original, disturbing, and alarmingly funny work is perhaps the most controversial musical ever written.

Petite Opera, with its focus on classically trained voices, has gathered an incredible cast to voice the hopes, fears and furies of these intriguing figures by exposing the twisted thoughts that brought them to acts of violence.
Petite Opera presents Assassins: 
Fridays November 4, 11, 18 at 7:30 PM
Saturdays, November 5, 12, 19 at 7:30 PM
Sundays, November 6, 13, 20 at 4:00 PM

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Tickets are $27 for Adults (ages 18-61)
$25 for Seniors (age 62 and up)
$15 for Students* (age 16 through College)
* not recommended for ages under 16 due to content and language

Call 847-553-4442 or email tickets@petiteopera.org to reserve your tickets for payment by cash or check at Box Office on performance date. For credit card orders, visit our 
PURCHASE TICKETS page.  Please note: reservations and Credit Card orders accepted up to 4 hours prior to show time.  A convenience fee is applied to all credit card orders at checkout.

LOCATION:
Mary Wilson House Beyer Auditorium
part of St. Mary's Episcopal church campus
306 S Prospect Avenue (at Crescent Ave)
Park Ridge, IL

Patrons think Petite Opera's Sci-Fi "Magic Flute 3.0" is out of this world!


Catch the Aliens before they leave Park Ridge!

Petite Opera's
The Magic Flute 3.0 - A Space Opera  

The Queen of the Night enters via transporter beam
Only 3 performances left: Nov 20-22, 2015 

Petite Opera's new world premiere English translation and Science Fiction adaptation is a hit with Earthling audiences!
Starting with the overture (a back story to the aliens landing on Earth), audiences loved this new translation and all of its' fun cultural references.
Sci-Fi, aliens, Mozart, the North Woods and the CIA combine in this world premiere of a new Petite Opera English translation.  Sarastro and his alien community from Vekran are out in the galaxy promoting their cause.  They land on Earth to find Sarastro's exiled Rimulan wife, the Queen of the Night and her Borg-like Ladies trying to assimilate into North Woods USA, near Canada. Entitled trust-fund guy, Tamino, seeks to unite with the pair's daughter, Pamina.  Aided by simple hunter--Papageno--and Free Spirits from the intergalactic police force, they seek to find their loves, their balance, and escape evil.





"We saw Petite Opera's "Magic Flute 3.0 - A Space Opera" opening night, and it was fantastic!!!  We highly recommend everyone check it out.  The place was near capacity so I would suggest you get your tickets for the day you want to go as soon as possible!" --Don Popp






"It was just so fun!  With Star Wars coming back in a few months, this was a great way for me to get my fix of sci-fi and see an opera at the same time!"
--A New Patron

 




"Saw the production last night! Bravo! and Brava! Huge cast with huge talent. Thoroughly enjoyable evening. Costumes in this production are wonderful (is it wrong I want that silver jacket?) Hope you sell out every show!" --Roberta Meyer



"This production, with the Sci-Fi theme was really fun!  I'm sure I didn't catch all of the jokes, but my husband is a big Star Trek fan, and he got all of them!  The whole cast had tremendous voices."
--Sally Dornfeld


Don't miss it!  There are only three performances remaining!
FRIDAY November 20, 2015 at 7:30 PM
SATURDAY November 21, 2015 at 7:30 PM
SUNDAY November 22, 2015 at 4:00 PM  

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Tickets are $27 for Adults (ages 18-61), $25 for Seniors (age 62 and up), 
 $15 for Students (K-college), and $5 for Preschool Children
Call 847-553-4442 or email us at tickets@petiteopera.org to reserve your tickets for payment by cash or check at Box Office on performance date.
For credit card orders, visit our PURCHASE TICKETS page.

Please note: Reservations and Credit card orders accepted up to 4 hours prior to show time. A convenience fee is applied to all credit card orders at checkout.

LOCATION:
Mary Wilson House Beyer Auditorium
part of St. Mary's Episcopal church campus
306 S Prospect Avenue at Crescent Avenue 
Park Ridge, IL  

Petite Opera Boldly Goes Sci-Fi with Mozart MAGIC FLUTE 3.0 - A SPACE OPERA

Petite Opera Boldly Goes where no Chicago Opera Company has gone before... Landing a bunch of space-faring aliens from the planet Vekran on Earth.

Yes, Petite Opera is taking "Magic Flute" into the Science-Fiction/Fantasy realm. It may sound far-fetched, but in relating the story of "Magic Flute" to modern audiences, the Science Fiction theme makes a lot of sense.

A typical portrayal of the
dragon and Tamino in modern
productions
Case in point: In 1791, "The Magic Flute" by Mozart made its debut.  The characters were fantastical, the story written to appeal to the masses.  The story line hinted at the "secret society" of the Masons, with secret trials undertaken by Initiates. Tamino, the tenor, starts the opera by fighting a dragon.  The Queen's 3 Ladies use magic to kill the dragon. Thunder boomed to signal the beginning of the Queen of the Night's aria, and the villains, at the end, were magically "melted" in punishment of their evil ways. 

In short, the audience saw magic and magical characters. They saw things that weren't possible at their point in history.

Fast forward to the 20th century, where Arthur C. Clarke, one of the great British science fiction writers, said:

"Any technology, no matter how primitive, is magic to those who don't understand it."

In the 1960's, when "Star Trek" aired, there were no such things as "communicators".  Fast forward 30 years, and cell phones appeared, with the popular "flip phone" leading the way. All of these are highlights in the Petite Opera translation.

Central to Petite Opera's concept is the back story of the planet Vulcan, home of the character Spock on Gene Roddenberry's "Star Trek" .  All Vulcans were one people until they began to destroy each other and their planet.  That was when they divided into two peoples--the Vulcans, who endorsed following logic, reason, and emotional balance as means of enlightenment; and the Romulans, who followed a vengeful, warrior-like, emotionally-driven path. 

Vulcan, at the time of the Awakening
According to "Star Trek" legend, this occurred during the Time of the Awakening in Vulcan history. Innumerable movies have focused on the post-nuclear impacts, or devastating circumstances that changed the course of humanity, or people from other worlds.

Petite Opera's executive artistic team wanted to capture the same essence of magic and wonder for modern audiences, and focus on the tension and drama of driving our world into oblivion through out own desires.  It's world premier English translation pushes the envelope, where "Sci-Fi meets Mozart.  The team wanted an obscure setting to demonstrate the differences between aliens and humans on Earth, and the importance of learning from each other.

The setting selected: mythical North Woods USA, somewhere near the US-Canadian border. 

Susan Baushke,
Executive Director
Translation Team Member
"The greater the contrast in lifestyles, the greater the contrast in characters.  Our aliens are from a technological superior universe, while the "local yokels" in North Woods USA are used to a simple life.  The locals see that the aliens are different, but true to the "suspension of disbelief" in all theatrical performances, are amazed at--but very accepting of the alien's quirkiness," says Susan Baushke, Executive Director of Petite Opera, and a member of the translation team.

"We wanted to capture that magical essence, and pay tribute to Mozart, and all of the Science Fiction greats.  Sci-Fi has created some of the most beloved characters for current generations, and incredible creations.  They challenge us to be more than we are today," says Baushke.  "We saw the original plot of Magic Flute as taking on aspects of the team's Sci-Fi fantasy influences: Roddenberry's Star Trek universe, Lucas's Star Wars universe, a little bit of Total Recall, GalaxyQuest, and a whole host of others."
Petite Opera's translation brings
a Flute Spaceship to Earth
In this, the year of a new installment of George Lucas' Star Wars universe will air, the timing is superb to give audiences a taste of Sci-Fi once again.

So why are the aliens on Earth?  In this version, Sarastro leads a large variety of alien races on a mission to recruit more members to their cause:  providing objective, logical thinking that replaces vengeance and desires to destroy.  The alien community fled their planet, Vekran, when it was destroyed through inter-racial war.

The production has its share of drama, and of course, lots of comedy.

"Papageno is the  central character of the piece, in my opinion. He is fully present and n the now and appreciates and enjoys the simple pleasures of life.  He embodies the "everyday Joe", so the audience easily connects with him.  In our translation, we aimed to modernize his speech while staying trues to his simplicity and earnestness, " says Cathy Dunn, Stage Director for the production.  
Cathy Dunn,
Stage Director
Translation Team Member

The team also beefed up the influence of some characters, and gave the characters a more three-dimensional presence.  For instance, Sarastro (an objective, logical Vekran) and the Queen of the Night (a vengeful Rimulan) were married, and are now estranged.  Pamina is their daughter (and shows personality features of both alien races), and her inner turmoil is greater as a result.

The Queen's Three Ladies each have very distinct alien personalities, while also becoming "group/hive/herd/Borg" telepathic transmitters of the Queen's instructions.

"I find this version really fun to direct," says Cathy Dunn.  This production marks her fifth interpretation of the production and bringing it to audiences.  "It is just so much fun, and the Sci-Fi nature of it explains so many of the original plot elements... things just fall naturally into place."
Nathan Oakes,
Tamino
Translation Team Member

"Tamino is always the 'heroic tenor', but we decided to give him a bit more dimension," says Nathan Oakes, a translation team member, and professed Sci-Fi lover, who is also one of the performers playing the role.  "In this version, Tamino is an entitled, selfish, trust-fund socialite from the big city.  Women were just conquests to him before.  But he turns a major corner when he falls for Pamina.  Here is someone he can truly love."


Papageno's love interest is Papagena.  In the original, she has a small part.  Here, she has a more active role as an undercover CIA agent, in love with Papageno, and willing to make a deal with the aliens to get him.

"Oh, she's fascinated by the aliens... rather like a Skully from X-Files.  But she splits her time between trying to make Papageno notice her, and tracking activity in the alien," says Baushke.  "Papagena is the only human that knows the aliens are aliens and what's going on.  It makes it interesting to see the by-play between all of the characters, with her being "in the know" and everyone else just reacting to things as they come."

Steven Arvanites,
Director of Production
Translation Team Member
The Petite Opera translation team started by translating the original German into English,then created its modern-day character palette, setting and vocabularies of its characters.  "We then made certain that the characters' mannerisms and vocabularies matched the vocal line of the music and that all of the vowels and emphases were correctly placed," said Steven Arvanites, Director of Production, and member of the translation team. 

Homer Guillen
Speaker
Translation Team Member
"Being a writer, but not an opera singer, I found the process of creating the translation fascinating," says Homer Guillen, a translation team member.  "The nuances of how certain words must be placed to be sing-able within the performer's vocal range, and still understood and representative of the character, well, it's much more exacting that one would think.  We really agonized over some word choices. And, we also had a lot of fun pulling in a lot of popular cultural references!"

In parting, we encourage our patrons to count all of the popular sci-fi references throughout the show.  See how many you come up with! And enjoy this jewel by Mozart set with a sci-fi twist.

May the force within you allow you to live long and prosper--make it so!

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Tickets are $27 for Adults (ages 18-61), $25 for Seniors (age 62 and up), 
 $15 for Students (K-college), and $5 for Preschool Children
Call 847-553-4442 or email us at tickets@petiteopera.org to reserve your tickets for payment by cash or check at Box Office on performance date.
For credit card orders, visit our PURCHASE TICKETS page.

Please note: Reservations and Credit card orders accepted up to 4 hours prior to show time. A convenience fee is applied to all credit card orders at checkout.

Petite Opera Sci-Fi MAGIC FLUTE Cast Announced

HOLD THE DATES!

Plan to join Petite Opera for an out-of-this-world experience

The Magic Flute 3.0 - A Space Opera

November 7-22, 2015
Director of Production:  Steven Arvanites
 Stage Director:  Cathleen Dunn
Assistant Directors:  Rachel Sparrow, Nathan Oakes
Musical Director: Cody Michael Bradley
Costume/Makeup Design/Execution: Sienna Kusek, Cheryl Newman
Scenic Design/Execution: Miguel Lopez-Lemus        
Lighting Design/Execution: Betsy Sklena, Greykell Dutton
Audio & Special Effects:  Steven Arvanites, Nathan Oakes
Properties:  Mary Govertsen, Nancy Evans
Marketing:  Susan Baushke
  
CAST
Papageno
Noah Gartner, Douglas Balkin
Tamino
Nathan Oakes, Brett Potts
Pamina
Kelsey Betzelberger, Bethany Brautigam
 Queen of the Night
Kate Comegys, Rachel Sparrow
Sarastro
David Govertsen, Peter Morgan
 First Lady
Mary Govertsen, Diana Stoic
Second Lady
Katherine Dalin, Sara Litchfield
 Third Lady
 Suzanne Rovani, JulieAnn Zavala
Monostatos
David Fair, Jonathan Wilson
 Papagena
Susan Baushke, Kristen Bigham
 First Free Spirit
Carly Meyer, Emily Montelongo
Second Free Spirit
Tess Dinerstein, Tessa Newman
 Third Free Spirit
Kaia Ebel, Paul Murphy-Gartner
 Old Priest
Aaron Bolden
Speaker
 Homer Guillen
 First Guardsman    
David Fair, Jonathan Wilson
 Second Guardsman
Aaron Bolden
 
Chorus of Humans, Aliens and Creatures
Aaron Bolden, Erin Carney,  Tess Dinerstein, Kaia Ebel, David Fair, Anne Gartner, Michael Hanson, Austin Illenberg, Bailey Kapel, Carly Meyer, Emily Montelongo, Paul Murphy-Gartner, Tessa Newman, Alexandra Plattos, Carly Swanson, Sara Wheeler, Jonathan Wilson

PRODUCTION DATES:
SAT Nov 7, 2015, 7:30 PM
SUN Nov 8, 2015, 4:00 PM
FRI Nov 13, 2015, 7:30 PM
SAT Nov 14, 2015, 7:30 PM
SUN Nov 15, 2015, 4:00 PM
FRI Nov 20, 2015, 7:30 PM
SAT Nov 21, 2015, 7:30 PM
SUN Nov 22, 2015, 4:00 PM
 
Questions? Email us at info@petiteopera.org

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Tickets are $27 for Adults (ages 18-61), $25 for Seniors (age 62 and up), 
 $15 for Students (K-college), and $5 for Preschool Children

Call 847-553-4442 or email us at tickets@petiteopera.org to reserve your tickets for payment by cash or check at Box Office on performance date.
For credit card orders, visit our PURCHASE TICKETS page.

Please note: Credit card orders accepted up to 4 hours prior to show time.
A convenience fee is applied to all credit card orders at checkout.